Felix looked at her. He’d been a clockmaker for thirty-six years, and he had learned a rule he had never written down: people never came to mend machines to fix metal. They came to heal yawning absences; they came to stitch seams someone had torn in the world. He closed the clock’s back and smiled. “I’ll take a look. Leave it with me.”

Mara’s fingers clutched the box as if the clock could slip away. “When my grandmother died, it stopped,” she said. “My aunt says it held her voice. I know it sounds silly, but I felt like if it could run again, maybe—”

Felix hesitated. The cylinder had said names in the night, breathed their sounds like names of ships. But names were dangerous; they tethered you. He chose a different truth. “It will speak what it holds. Sometimes that is a name.”

Day after day Felix worked around that humming cylinder. He took the clock apart and fitted it together again. He polished brass teeth until they flashed like sun on river water. He listened to the quiet—really listened—until the sound that had been a faint hum resolved into syllables like syllables sleeping between one another. He began to dream of a voice that sounded like rain on a tin roof and the smell of lemon peel.